A Man Called... Sunday by James Zee

Sunday's Creators

When Sunday was created, a new western was a safe commercial choice. Sales of Lieutenant Blueberry were booming in France,11Blueberry, first published in 1963 in the French comic Pilote, was created by the Belgian author Jean-Michel Charlier (1924-1989)and French...   Tex Willer was a national icon for Italy,22Tex Willer, Italy's longest-lived comic book hero, was created in 1948 by author Giovanni Luigi Bonelli (1908-2001) and artist Aurelio...   and spaghetti-western films were exploding across the globe.33For comments on the spaghetti-western trend of the late 1960s, see Why (G)Ringo?...  

However, Mora and Fuente also wanted to do something different, resulting in a more adult and complex series than their previous work. Mora reports that he was inspired by Fuente's visuals and challenged to create increasingly better scripts.44www.lne.es....  

Víctor de la Fuente signed most of his stories and gained worldwide recognition as a result of the series' global distribution. Mora's contribution to Sunday was effectively anonymous, despite his fame as the creator of El Capitán Trueno, Spain's most popular comics hero.

Between 1968 and 1970, Víctor de la Fuente and Víctor Mora completed 12 episodes of Sunday. Fuente then moved out of the comics industry briefly and into advertising, weary of dealing with agents and publishers.55elblogdelrincondetaula.blogspot.com....  

Mora stayed on as scripter and the final six scripts during 1970 and 1971 were illustrated by the lesser known brother of Víctor de la Fuente, Ramon de la Fuente (1931-1984).66Ramon de la Fuente was born in Spain in 1931. Through Selecciones Ilustradas, he drew War comics for Fleetway (England)...  

Ramon is most known for his later lush full-colour adaptations of classic literature such as Robin Hood and Treasure Island.

However, his black and white artwork at this time is similar to Víctor's and their involvement on Sunday is frequently confused. His work on Sunday lacks his brother's holistic and dynamic approach to page composition, but his style provides a looser and cleaner appearance over time. It is possible his early episodes deliberately mimic his brother's work.

References

Blueberry, first published in 1963 in the French comic Pilote, was created by the Belgian author Jean-Michel Charlier (1924-1989)and French artist Jean "Mœbius" Giraud (b. 1938). The series chronicles the adventures of Mike "Blueberry" Donovan, son of a rich Southern farmer who flees after being framed for murder. Initially a racist, he is saved by an African-American and begins fighting discrimination.
Tex Willer, Italy's longest-lived comic book hero, was created in 1948 by author Giovanni Luigi Bonelli (1908-2001) and artist Aurelio Galleppini (1917-1994). Tex is the tough guy romantic hero who lives by a code of honour, killing only in self-defence. He marries a Native American girl, Lilyth, and becomes head of the Navajos. He has had numerous authors and illustrators over the years, including Selecciones Ilustradas' Victor De La Fuente, Alfonso Font and José Ortiz.
For comments on the spaghetti-western trend of the late 1960s, see Why (G)Ringo?
Ramon de la Fuente was born in Spain in 1931. Through Selecciones Ilustradas, he drew War comics for Fleetway (England) and DC Thompson (Scotland) for twelve years. While his earlier work reflects his brother Victor's style, his own style shines in his adaptions of classic stories such as "Treasure Island," "Robin Hood" or "Journey to the Center of the Earth" for Grandes Clásicos Ilustrados (Afha, Spain). His final story in Comix Internacional 43, 1984, used a distictive oil painting technique. Ramon died in 1984. See elblogdelrincondetaula.blogspot.com and lambiek.net/artists.